Recent Work

Coronagraph Series (2026–)

Ink on paper. Dimensions variable.

The Coronagraph Series focuses on what appears through displacement rather than direct representation. The resulting field retains traces of an originating structure while resisting complete identification, creating a space where relationships remain intelligible yet open. Drawing functions here as a means of extending a fleeting encounter, translating a temporary shadow into a sustained site of attention.

the epistemic potential of material repetition (2026)

Ink on paper. 56 x 76 cm.

Developed as part of an inquiry into affective suspension, the epistemic potential of material repetition explores whether certain perceptual conditions persist when weaving processes are translated into another medium.

On Opposites (2026)

Linen, bitumen. 10 x 10 x 10 cm.

On Opposites examines material and cultural binaries through a durational process of making and transformation. A cube, stitched from handwoven squares, is repeatedly dipped in bitumen. It reflects a commitment to ambiguity as inquiry, where difference becomes a condition for relation rather than hierarchy.

Them That Hold The Weight of Air (2025)

Linen, rose gum. Dimensions variable; approximately 50 x 500 cm. Photography: Alix Dubois.

Them That Hold the Weight of Air is a four-layer double-weave in fine linen, gesturing toward the threads, the rods, the structure, and the unseen forces that shape perception. The work holds space for other kinds of knowing—not heroic, not symbolic, but quiet, continuous, and generous.

A rubbing taken from the lowermost layer (unseen and unreachable during weaving) captures a surface the weaver cannot witness. This trace becomes a graphical score for performance in collaboration with Scott Buckley.

Even Stillness Isn’t Still (2025)

Paper, cotton, silk. 58 x 40 cm. Photography: Paul Harris.

We trust our senses to tell us the truth, yet the world they reveal is only a surface—beneath it, everything moves. Just like the molecules oscillating back and forth, there is a hidden depth and complexity to people and ideas. What we see on the surface is not the whole story.